2026 Books, Post 6
May. 27th, 2026 07:12 pmI did some traveling and had a couple work days with a lot of presence but not a lot of activity, so this one went very fast!
To Cage a Wild Bird by Brooke Fast
The Gentleman and the Vowsmith by Rebecca Ide
I Who Have Never Known Men by Jacqueline Harpman trans. Ros Schwartz
The Lost Story by Meg Shaffer
All Hail Chaos by Sarah Rees Brennan
Ella Minnow Pea by Mark Dunn
A Witch's Guide to Magical Innkeeping by Sangu Mandanna
The Fall That Saved Us by Tamara Jerée
The Name Game by Beth O'Leary
Island Summer by Hazel Wilson
And that's all for this time! Right now I'm struggling through an ebook that's just good enough that I'd feel guilty abandoning it, but maybe I should take the fact that I'm even having that debate at all as a sign and read something more compelling instead.
To Cage a Wild Bird by Brooke Fast
Gift from a friend, who I think has a friend of a friend of a friend kind of relationship to the author. It was ... fine? Dystopian new adult book about a world where prisoners are hunted for sport. There's a mysterious guard who keeps helping our heroine out, our heroine got herself thrown into prison because her brother was put there unfairly and she wanted to protect him, it pretty much hits all the expected beats. Likely would not have finished if it were not a travel book, to be honest. It's somebody's book but it's not really mine.
The Gentleman and the Vowsmith by Rebecca Ide
I did like this, but based on the cover copy it did bring up the question "is this actually a gothic, or is it set in a house?" I think by the end there were enough gothic elements to justify the mention on the cover copy, but I'd call it more of a country house murder mystery (was just discussing with friends the other day that those genres tend to involve similar tropes and set-ups but have different protagonists). It also is set in a magical version of England, and that's fine, I respect it, but society and history were just different enough that I started feeling annoyed Ide hadn't just built a new world, but just the same enough that I think I would have felt annoyed if Ide HAD built a new world. I think, all being as it was, given the point of doing magical historical England is the buttoned-up and confining social structures, I'd rather have had a whole new world so I didn't have to figure out how and why everything got so queer-normative. (Also an artifact of this: this book starts out being about marriage settlements between two parties, where because the gentleman is queer with no interest in women it becomes a matter of discussion how to provide stud services, but ALSO he's an attractive matrimonial prospect because he's quite magical and the upper classes rather breed for that? Which there's a brief mention of, but it should be a huge deal! Why isn't it a huge deal!!) There was a lot of good in this, and I think I'd try more Ide, I'd just love to see her stop straddling lines (gothic/not, our world/other world) and really dig into something.
I Who Have Never Known Men by Jacqueline Harpman trans. Ros Schwartz
A weird book that I enjoyed a whole lot, actually. Surreal and sad and quiet, not interested in giving answers to people who want them. I don't have much of anything to say about it, but I like reading earlier specfic by women writers, especially who might not have conceptualized it as specfic. It's not like LeGuin, but I think if you like LeGuin you might like this.
The Lost Story by Meg Shaffer
It seems to me like I really like Shaffer's ideas, but I don't really like her executions. There were a lot of good things about this, characters I liked, an interesting concept for a story, but it could never quite get its tone right. It's a portal fantasy, but the setting and the setup don't quite match the fantasy world, which is slightly justified by the text but I'm not sure is justified enough by the text, if that makes sense? And there's a narrative intrusion throughout from a storyteller, but it was clumsily done and by far the worst offender on the tone thing. One of those books that made me just itch to rewrite it. As with the Fast above, this must be someone's book, but as it's written, not quite mine. I liked The Wishing Game much better, it still had the concept-execution gap for me, but the gap was at least smaller.
All Hail Chaos by Sarah Rees Brennan
By all rights, I should not enjoy these books as much as I do. I don't really like most of the subgenres this series pays homage to, nor do I like tongue-in-cheek takes on subgenre homage in general. However, Brennan is very good at what she does, and there's enough of an intense and blistering emotional core here to fight through things that a lesser author wouldn't be balancing well enough to keep me involved. This series has, for me, the Pratchett ability to deeply love something and also want to very much make fun of it: Evil Book Boyfriends, dark fantasy, fandom and self-insertion into fiction. However, it leans more towards homage than parody, even while it manages to be funny. Hm, reading this review, I feel like it pairs well with The Locked Tomb? They're very different writers, but there's something about that balancing on the knife's edge of funny and gutting. I'm nervous about how Brennan will bring this home, but I trust her, so I'm willing to give it a go despite the ominous title announcement that the trilogy will conclude with Kill Your Darlings.
Ella Minnow Pea by Mark Dunn
Found it on an epistolary rec list! This one was a joy, funny and clever and just poignant enough to make up for the fact that it's extremely aware of its own cleverness. Also a bit of a parable on living under an authoritarian state that didn't feel too real in the LEAST, why would you ask. Apparently somebody made a musical out of this and I desperately need to know more.
A Witch's Guide to Magical Innkeeping by Sangu Mandanna
The second Mandanna I've read, and I officially enjoy her! A cut above many of the current trend for witchy romcoms, especially this one, which I found better than the debut, I liked the romance better and the stakes felt high and the worldbuilding interesting. The background zany characters who get themselves involved in everything are much like Crusie at her height, though with significantly less of Crusie's humor. I look forward to more from Mandanna!
The Fall That Saved Us by Tamara Jerée
I saw this cover copy and I went "hmm, this is someone who cares deeply about Good Omens" and then I read a chapter and I went "Ah! I was mistaken! They care deeply about Good Omens and ALSO Supernatural." And then, to Jerée's credit, after a few chapters I went "Ah, someone who cares deeply about both of those canons and also has some Problems with them." Angels-and-demons fantasy is never my favorite kind, but as it goes, I did end up liking this one a lot, especially when it was about breaking free of your abusive family even if they're on the Side Of The Light. Not sure I'll read the sequel if and when that comes, though, so let that temper the review!
The Name Game by Beth O'Leary
Spoilers within for this one in particular!
O'Leary's one of the more interesting writers in the contemporary romance/romcom space right now, but hers are sometimes hit or miss for me. This one, unfortunately, was a miss, and it was because she sort of hoist herself by her own petard! See, O'Leary likes playing around with expectations by doing things with timelines and POV and any number of other things, so when we had two Charlie Joneses writing in their respective journals and then also 3rd-person POVs from a Charlie and a Jones as they respectively go by, each of those sections narrating a failed or failing relationship with an Aspen and an Oliver, I went "ah, I know what's going on here. Even in 3rd-person POV, we have unreliable narrators, and what's happening here is that they are exes who are pretending and staying VERY much in character pretending that they don't know each other, neither of them is named Charlie Jones." And I was half right, neither of them was named Charlie Jones! It's just that the 3rd-person POVs WERE a Charlie and a Jones. And while it did make more sense in retrospect, I was so charmed by the PG kink of "pretending I don't know my ex because we're both lying about our identities even to the point of pretending in my diary" that I was disappointed when it didn't turn out to be that. It would have been very, as the kids on tumblr and sometimes the AO3 would say, freak4freak. Anyway, if I hadn't been looking for The O'Leary Twist I might have liked it better, but I was so I didn't.Island Summer by Hazel Wilson
A little children's book from 1949 to fulfill a bingo category for my town's bingo, about a family from Colorado spending a summer on a Maine island. I spent a lot of this book thinking about how I miss episodic fiction! There were some little threads that added up to an exciting episode, and the main character grew up a bit, and that's really all the book needed, mostly it was just snapshots of a summer. Also can tell Wilson has spent some time in Maine because there were times with the Local Characters I could hear my grandparents talking in the way Wilson wrote dialect, which was lovely and nostalgic for me. Not a great book, perhaps, but it will absolutely do for "20th century Maine fiction."
And that's all for this time! Right now I'm struggling through an ebook that's just good enough that I'd feel guilty abandoning it, but maybe I should take the fact that I'm even having that debate at all as a sign and read something more compelling instead.